In this final series, we take everything we have learned and basically look at the fretboard and make whatever we want. We start with some simple strategies for building chord shapes, which will expand into making literally any sound, anywhere, with any voicing, any inversion, any string set, any fingering, anything. This will give you the final strategies to create any sound that you would want, and is the culmination of this overall method.
Embedded Files
Basic Building Strategy
We'll start simple with 1 bass triads, plus another note (some sort of 2, 4, 6, or 7). The main focus will be on triad plus 7 as they are the most popular, but the underlying strategies we will go over can be applied to literally any note pool you want. Get ready to build shapes and copy-paste them everywhere and remember, the goal is not for me to show you chords, it's for you to build them yourself!Inversion Domination
In this video we go over creating any inversion of any chord that you want. We will do this using similar strategies from the previous video (building from the Triad Shapes, as well as building from nothing), but we will also introduce a different strategy for finding inversions. This strategy is incredibly simple and basically makes the shapes for you, therefore I'm labelling it as "Stupid Easy Method".Practicing Over Songs
Just a simple walkthrough of how I'd practice with these new shapes we've been creating. I'll go through this process with three songs, "Best Part" (one we've done before), "The Thrill Is Gone" (standard minor blues), and "My Curse" (a more modern metal tune). Very simple approach, but works great for preliminary practice with new chord shapes/sounds.
Page updated
Google Sites
Report abuse