We start with the top three strings, the G,B, and E strings. Heavy focus on inversions, connecting these shapes to each other, exercises, modifying them at will, and soloing around them.
We start with the top three strings, the G,B, and E strings. Heavy focus on inversions, connecting these shapes to each other, exercises, modifying them at will, and soloing around them.
- Major "Spicy" 3 chord - We focus on a sound from back in the PPOCK series, the Major 3 chord or as I call it the Spicy 3. This is the most common out of key chord in music history so we need to target it with these small shapes. Fortunately most of the notes of this sound are notes we're already playing, but there are a few Spicy ones to play as well!
- Power Up - Using an exercise we ran in the previous part, we inject this Spicy 3 chord to reinforce how this sound looks/feels in a progression.
- How I Practice - I go over a few simple ways I like to practice this sound as it has traditionally been used, as a transition (or "set up") chord for the 6 chord, the main minor chord of the key. This is an insanely common move in music, and these small voicings are a great way to easily navigate this sound.